This is a painting that was developed in 1535 by an artist known as Parmigianino. It is associated with the mannerism movement. Mannerism started a highly creative time in art, backing the peak of excellence that realistic painting had outreached in Renaissance Italy. In the 16th century artists like Florence and Rome began to swerve from traditional influences and moving to a more intellectual as well as an expressive approach. This accompanied in a deviate from the original painting of subjects and figures, a refusal of euphony, as well as the evolution of a considerable current style detached by the illustrate plane, actuality, or correctness that is literal. Thorough imbalance, trickery, as well as ornamental also well-educated this movement. Current findings in discipline had led the community away from humanist supreme and coloring no longer postulated man as the center of the universe, but rather as isolated, outlying participants in the great mysteries of life.
The painting does not have a proportion of a normal human being; her shoulders, fingers, and neck have been lengthened to make her look more graceful as well as elegant. She has hair that is carefully curled and furnished with jewels to frame her attractive face as well as complexion. The wrappers that she is wearing are flowing and luxurious. The artist has extended as well as elongated bodily parts in the coloring impulsively and strangely. The leg of the Angel on the front is suggestive and glossy, whereas the prophet, holding up his scroll, look liberated as well as drawn. The gorgeous image of Madonna that is inviting, which is combined with a crowd of angels who are undressed, has received a lot of criticism whereby people say that the artist had eroticized the scene. A biggish Christ child is splayed over the lap of Madonna. The display of the arm that is hanging freely down suggests death, and it adds the sense of uncertainty neighboring the painting. From the description of the painting, the artist is unique from other artists of the movement.
In the 16th century sculptures were very popular, due to their popularity they influenced the creation of mannerism. The mannerist artists used the human body’s pictures, which they referenced from the prints and sculptures. The ideas mannerist artists got from the photographs and sculptures made them focus on creating new things like Madonna with the long neck. Additionally, it was influenced stylistically by a variety of approaches that reacted to the harmonious ideals related to other artists like Raphael, early Michelangelo, and Leonard da Vinci. Mannerism has also been applied to compare the Latin literature of silver age.
Understanding the context of the painting helped me to interpret it, instead of criticizing the painting because of its erotic display on the picture. Although the Parmigianino had not completed the art, it has the possibility of being interpreted. Due to its context, the artist found it very difficult to achieve although he had any intention of finishing it up. Still, it did not happen.
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Picture of Madonna with the long neck
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